Comedian Simon Amstell’s second film in the director’s chair follows a socially awkward filmmaker suffering from crippling anxiety due to the imminent world premiere of his second film. And if this didn’t already feel dangerously close to autobiography, Amstell’s second directorial outing has just had its world premiere at this year’s London Film Festival, just like the embarrassingly personal film directed by the title character of his latest effort, Benjamin.
For his writing-directing debut, actor Rupert Everett ambitiously recreates the final three years of Oscar Wilde’s life in a swirling, artistic odyssey. Everett has a lifelong interest in Wilde, including roles in films based on Wilde’s work and a series of TV documentary explorations of homosexuality in Victorian Britain. So in many ways The Happy Prince feels like the culmination of Everett’s life’s work.