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Bohemian Rhapsody

Opinión Esencial: Bohemian Rhapsody

“Tu vida va a ser muy difícil”, Mary Austin, la mejor amiga, y se pudiera decir la compañera de vida de Freddie Mercury, interpretada por Lucy Boynton, le dice al enterarse que Freddie es gay. Durante las casi dos horas y media de “Bohemian Rhapsody”, vemos el arco de un joven queriendo ser libre mediante el único medio que sabe, la música.

I Hate New York

Gay Essential Review: I Hate New York at Raindance Film Festival

First, it should be noted that the title of this documentary is ironic, as it explores the lives of four LGBTQ artists who have chosen to make New York their home. I Hate New York is directed by Spanish filmmaker Gustavo Sanchez, who shot his subjects over 10 years.

Rafiki

Gay Essential Review: Rafiki at BFI London Film Festival

So much attention has been devoted to the controversy surrounding Rafiki, the first LGBT film produced in Kenya, that discussions on the film itself have been something of an afterthought. To put it simply, the Kenyan censorship board didn’t have the same rapturous response to the film as audiences at Cannes (where it premiered earlier this year), effectively banning it – only to upturn the ban, submit the film as their entry for the foreign language Oscar, and premiere it to sold out audiences upon opening in Kenya.

Dykes, Camera, Action!

Gay Essential Review: Dykes, Camera, Action! at Raindance Film Festival

Fast-paced and fluidly edited, this feature documentary explores both the history of lesbian characters in the movies as well as the rise of queer female filmmakers. Dykes, Camera, Action! is a thoroughly entertaining film covering quite a lot of material in its brisk running time.

The Favourite

Gay Essential Review: The Favourite at BFI London Film Festival

The Favourite is something of a change of pace for Lanthimos. Not only is it the first time he’s adapted a screenplay he didn’t pen himself, with a comparatively muted surrealism compared to his previous films, it’s also the closest he’s got to crafting something that could be described as emotionally sincere.

Ruminations

Gay Essential Review: Ruminations at Raindance Film Festival

Basically an accidental documentary, Ruminations came about when director Robert James went in search of stories about gay hippies in 1960s San Francisco and stumbled upon Rumi Missabu, a notorious raconteur who calls himself a “male actress”. As one of the original Cockettes, he is an oracle of anecdotes.

Colette

Gay Essential Review: Colette at BFI London Film Festival

Outside of its documentation of gender fluidity and same sex relationships during a period where they were scorned by society, Colette still remains a breath of fresh air amongst a field of stuffy costume dramas. The film is often hysterically funny (Westmoreland co-wrote the screenplay with his late partner Jonathan Glatzer), with Dominic West giving an entertainingly histrionic performance in the lead.

George Michael: Freedom - Director's Cut

Gay Essential Review, George Michael: Freedom – Director’s Cut at Raindance Film Festival

Originally made for Channel 4 in the UK, this documentary has been returned to its original version, as authorised by George Michael himself shortly before he died. In George Michael: Freedom – Director’s Cut, Michael offers an intimate, honest look at his life, ending just before the iconic singer’s shocking death at just 53 in December 2016.

Zen in the Ice Rift

Essential Opinion: Zen in the Ice Rift (Zen sul ghiaccio sottile)

A coming-of-age film with a twist, Zen in the Ice Rift takes you into the mind of a trans adolescent, but in a slightly different way than your average teen flick. Using overwhelming visuals and impeccable cinematography, Margherita Ferri’s motion picture successfully distances itself from other projects of its genre, and brings a whole new mode of storytelling to the table.

Consequences

Gay Essential Review: Consequences (Posledice) at BFI London Film Festival

The feature debut of director Darko Stante manages to find a new angle on a familiar staple of LGBT storytelling, throwing its protagonist into a world of hyper-masculinity that seems beyond parody. It feels contemporary due to, for the most part, the lack of overt homophobia – here, even the name calling is embedded with a bizarre homoeroticism, so comfortable with their sexuality the (presumably) straight characters appear to be.

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