The infamous reputation preceding Ka Bodyscapes could work to its detriment, so be warned: this is a quiet, intimate character study, and if you’re looking for something with a substantial edge to it, it’s well advised you look elsewhere as you’ll be ill served by this film’s understated charms.
As far as opening title cards go, there are few that are quite as immediately attention grabbing as “For the piece of shit, my father”. This deadpan introduction to the feature debut of director Cesare Furesi may suggest a more cynical tale of a family relationship, but Who Will Save the Roses? is anything but.
Comedian Simon Amstell’s second film in the director’s chair follows a socially awkward filmmaker suffering from crippling anxiety due to the imminent world premiere of his second film. And if this didn’t already feel dangerously close to autobiography, Amstell’s second directorial outing has just had its world premiere at this year’s London Film Festival, just like the embarrassingly personal film directed by the title character of his latest effort, Benjamin.
Winner of the Queer Lion at the Venice Film Festival, the Guatemalan drama José is an astute look at male sexuality in a culture that’s infused with machismo. This is an earthy, honest story using observational filmmaking to touch on big themes without ever being preachy. Chinese-born American filmmaker Li Cheng cleverly lets the plot unfold in such a subtle way that the movie has a documentary feel to it.
“Tu vida va a ser muy difícil”, Mary Austin, la mejor amiga, y se pudiera decir la compañera de vida de Freddie Mercury, interpretada por Lucy Boynton, le dice al enterarse que Freddie es gay. Durante las casi dos horas y media de “Bohemian Rhapsody”, vemos el arco de un joven queriendo ser libre mediante el único medio que sabe, la música.
So much attention has been devoted to the controversy surrounding Rafiki, the first LGBT film produced in Kenya, that discussions on the film itself have been something of an afterthought. To put it simply, the Kenyan censorship board didn’t have the same rapturous response to the film as audiences at Cannes (where it premiered earlier this year), effectively banning it – only to upturn the ban, submit the film as their entry for the foreign language Oscar, and premiere it to sold out audiences upon opening in Kenya.