I Miss You When I See You is an effective dramatisation of depression and its self destructive tendencies, and how even after spending many years in a welcoming environment, your inner tensions don’t disappear so much as they just simmer in the background.
Christine Hallquist is a groundbreaking public figure in American political culture. After becoming the country’s first business CEO to come out as transgender a few years ago, earlier this year she put the world of industry aside to become the first trans person to run for governor in a Gubernatorial election.
Set in rural Denmark in the mid seventies, Speed Walking (Kapgang) follows Martin, a reserved 14 year old who is also the star member of his school’s speed walking team. One day following practice, he gets home to discover that his mother has instantly passed away after a quick, painful battle with cancer. This unfortunate news coincides with an increased awareness of his sexual confusion, in particular relating to his classmate Hans.
As far as opening title cards go, there are few that are quite as immediately attention grabbing as “For the piece of shit, my father”. This deadpan introduction to the feature debut of director Cesare Furesi may suggest a more cynical tale of a family relationship, but Who Will Save the Roses? is anything but.
Comedian Simon Amstell’s second film in the director’s chair follows a socially awkward filmmaker suffering from crippling anxiety due to the imminent world premiere of his second film. And if this didn’t already feel dangerously close to autobiography, Amstell’s second directorial outing has just had its world premiere at this year’s London Film Festival, just like the embarrassingly personal film directed by the title character of his latest effort, Benjamin.
Winner of the Queer Lion at the Venice Film Festival, the Guatemalan drama José is an astute look at male sexuality in a culture that’s infused with machismo. This is an earthy, honest story using observational filmmaking to touch on big themes without ever being preachy. Chinese-born American filmmaker Li Cheng cleverly lets the plot unfold in such a subtle way that the movie has a documentary feel to it.
“Tu vida va a ser muy difícil”, Mary Austin, la mejor amiga, y se pudiera decir la compañera de vida de Freddie Mercury, interpretada por Lucy Boynton, le dice al enterarse que Freddie es gay. Durante las casi dos horas y media de “Bohemian Rhapsody”, vemos el arco de un joven queriendo ser libre mediante el único medio que sabe, la música.