There’s an engagingly dreamy tone to this offbeat queer romantic comedy, continually wrong-footing the audience as the plot twists and turns around complex, likeable characters. Daddy Issues has a tone that’s refreshingly natural, as director Amara Cash infuses the film with real-life awkwardness.
There’s a strikingly realistic tone to this Brazilian drama, pulling the audience into the experiences of a teen who is being squeezed in from all sides. Socrates was created in a workshop of young people between the ages of 16 and 20, and it’s the feature debut of Brazilian-American filmmaker Alexandre Moratto.
Marilyn is based on a true story, but tries its hardest not to transform into reductive misery porn, or emotional exploitation. It offers an intimate look at the life of a queer teenager figuring out their identity in a small town, acknowledging the (often violent) hostility they would face, while still acknowledging the expected identity crisis that is teenage life beyond these harrowing moments.
The 2009 release, Raging Sun, Raging Sky (Rabioso sol, rabioso cielo), is a lush and artistic project by Mexican writer and director Julián Hernández. Composed of three distinct acts, this film is a rich visual tale of love, sexuality, and destiny, starring Giullermo Villegas, Jorge Becerra, and Javier Olivan.
The Ground Beneath My Feet is a slow burning delight, that manages to effectively balance its arthouse style with its genre inclinations. As an exploration of the emotional toll on women in the male dominated world of business, it would definitely make for a delightfully oddball double bill with Toni Erdmann.
Pitched somewhere between a behind the scenes look at downtrodden cabaret acts previously seen in a film like The Full Monty, and a high camp tale of an ageing drag queen reminiscent of Priscilla, Queen of the Desert, Tucked feels very distinctively like a throwback to the most successful of those efforts.
Most directors feel the need to overcompensate their material with cinematic flourishes, but Fitzgerald’s stripped down and intimate approach to the drama is far more rewarding. Splinters is a simple, quietly affecting family drama told in a humble manner; an authentic portrayal of an estranged family, where both the funny and moving moments come from the everyday. There’s no out of the ordinary dramatic twists here – and the film is all the better for it.
Mati is a tomboy nearing her final high school exams, who devotes most of her free team on her motorbike, hanging with an irritating group of boys. One day, when helping out her mum at the vets, she meets Carla, a local shop assistant who she is instantly attracted to. As her attraction to Carla grows, the rifts within her friendship group become more palpable, especially between her and Sebi the son of a local farmer who clearly has feelings for Mati.
In a few years time, when we look back on the festival films that had left a standing impression after the hype wore down, Jordana Spiro’s feature debut will likely be amongst those held in the highest regard. Night Comes On is an intimate drama that can easily fall through the cracks when drowned out by more nakedly audacious films at festivals.