A Dog Barking at the Moon was this year’s winner of Berlin’s Teddy award, and will be continuing its festival run at this year’s Outfest. The sheer bravery that led to this singular art film getting made, even lying to the Chinese censorship board about the subject matter in order to secure necessary funding, shows how passionate Xiang Zi was about sharing her story, warts and all.
Love Blooms, is a lowkey drama that could be best described as a post-coming of age film. After their first love has died out with a whimper, we follow two characters who have to confront their adult lives on their own for the first time, and navigate a city where they have both moved in order to get a fresh start.
It may be surprising to see a Russian film nominated for the Queer Palm at the Cannes Film Festival, especially considering the country’s deeply conservative laws that effectively stop the financing of any films with LGBT themes. But director Kantemir Balagov, in just his second feature, has made something far more ambiguous, and dripping in queer subtext; a haunting tale of repressed emotion in the aftermath of the Second World War, where the conflicting desires of two women leads to a miserable, quasi-abusive relationship masquerading as a friendship.