Archive by Author

Can You Ever Forgive Me?

Gay Essential Review: Can You Ever Forgive Me? at BFI London Film Festival

Despite the cultural cache from having works in the New York Times bestseller list, Lee Israel fell upon hard times, with no publisher wanting to release her biographies on increasingly lesser known subjects – which led to a drastic career move that gained her notoriety.

Rafiki

Gay Essential Review: Rafiki at BFI London Film Festival

So much attention has been devoted to the controversy surrounding Rafiki, the first LGBT film produced in Kenya, that discussions on the film itself have been something of an afterthought. To put it simply, the Kenyan censorship board didn’t have the same rapturous response to the film as audiences at Cannes (where it premiered earlier this year), effectively banning it – only to upturn the ban, submit the film as their entry for the foreign language Oscar, and premiere it to sold out audiences upon opening in Kenya.

The Favourite

Gay Essential Review: The Favourite at BFI London Film Festival

The Favourite is something of a change of pace for Lanthimos. Not only is it the first time he’s adapted a screenplay he didn’t pen himself, with a comparatively muted surrealism compared to his previous films, it’s also the closest he’s got to crafting something that could be described as emotionally sincere.

Colette

Gay Essential Review: Colette at BFI London Film Festival

Outside of its documentation of gender fluidity and same sex relationships during a period where they were scorned by society, Colette still remains a breath of fresh air amongst a field of stuffy costume dramas. The film is often hysterically funny (Westmoreland co-wrote the screenplay with his late partner Jonathan Glatzer), with Dominic West giving an entertainingly histrionic performance in the lead.

Consequences

Gay Essential Review: Consequences (Posledice) at BFI London Film Festival

The feature debut of director Darko Stante manages to find a new angle on a familiar staple of LGBT storytelling, throwing its protagonist into a world of hyper-masculinity that seems beyond parody. It feels contemporary due to, for the most part, the lack of overt homophobia – here, even the name calling is embedded with a bizarre homoeroticism, so comfortable with their sexuality the (presumably) straight characters appear to be.

Anchor and Hope

Essential Opinion: Anchor and Hope (Tierra Firme)

Anchor and Hope is a complex, mature relationship drama that feels nothing less than believable, even as it presents a lifestyle that’s likely alien to most viewers. But with three great performances at its centre, this is never a problem – it is quietly moving, even as it asks us to confront our own issues with parenthood.

Love, Cecil

Essential Opinion: Love, Cecil

Is it possible to separate the art from the artist? Documentarian Lisa Immordino Vreeland definitely doesn’t think so, as her examination of the life and career of photographer/artist/costume designer Cecil Beaton understands that the many contradictions in his character informed a lifetime of work across a variety of different mediums.

Man Made

Gay Essential Review: Man Made at Outfest

The public perception of bodybuilding is currently defined by the idea of warped masculinity – a heteronormative activity exclusively for men who take more steroids daily than they have braincells in total. It’s not entirely clear how media representation of bodybuilders has, in the past few decades, gone from presenting them as idealised men to cultural laughing stocks, but T. Cooper’s documentary Man Made is set to send stereotypes back in the opposite direction.

Believer

Essential Opinion: Believer

At one point in HBO’s original documentary Believer, Imagine Dragons vocalist Dan Reynolds is warned that he’s going to open himself up to criticism for organising a pro-LGBTQ concert – just not predominantly from the religiously conservative, but LGBTQ people aghast at a cis-gender, heterosexual white man co-opting their struggle. This is slightly unfair, as both the film and the charity concert presented within are born of good intentions that deserve the renewed spotlight this documentary will place upon them.

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