After working on the highly-acclaimed Valentino: The Last Emperor (2009) and directing Dior & I (2014), French-born filmmaker Fréderic Tcheng returns with a new film about another style icon. His new documentary, Halston, tells the story of the American fashion designer Roy Halston Frowick, who rose to international fame in the ‘70s, during which he became a household name and a mainstay of the New York City scene that revolved around its most iconic discotheque, Studio 54.
Se pudiera decir que este biopic de Elton John, al igual que su música, traen elementos de fantasía que si bien no parecería que tiene sentido en un “big budget film”, pero en realidad es la perfecta representación del galardonado músico Elton John. Rocketman es un viaje psicodélico lleno de números musicales relatando la historia de cómo un niño se convirtió en un rockstar, evitando clichés y censura.
The Sympathy Card is a beautiful example of the normalcy of queerness. In this independent lesbian rom-com, no drama is found in the identities of the characters, rather, we are afforded the same dilemmas as our heterosexual counterparts, gently reshaping the typical romcom format into a film that is effortlessly relatable to lesbian and bisexual women alike.
It may be surprising to see a Russian film nominated for the Queer Palm at the Cannes Film Festival, especially considering the country’s deeply conservative laws that effectively stop the financing of any films with LGBT themes. But director Kantemir Balagov, in just his second feature, has made something far more ambiguous, and dripping in queer subtext; a haunting tale of repressed emotion in the aftermath of the Second World War, where the conflicting desires of two women leads to a miserable, quasi-abusive relationship masquerading as a friendship.