The feature film Wretched Things is made up of three separate shorts that are only connected thematically. “We men are wretched things,” writes Homer in The Iliad, and writer-director Gage Oxley throws each of his three leading men into an odyssey during which they become a kind of sex worker. Shot in Leeds, the films are powerful and pointed, each with its own distinct kick. Oxley and his cast sat down with Gay Essential to talk about the project.
Most directors feel the need to overcompensate their material with cinematic flourishes, but Fitzgerald’s stripped down and intimate approach to the drama is far more rewarding. Splinters is a simple, quietly affecting family drama told in a humble manner; an authentic portrayal of an estranged family, where both the funny and moving moments come from the everyday. There’s no out of the ordinary dramatic twists here – and the film is all the better for it.
Mati is a tomboy nearing her final high school exams, who devotes most of her free team on her motorbike, hanging with an irritating group of boys. One day, when helping out her mum at the vets, she meets Carla, a local shop assistant who she is instantly attracted to. As her attraction to Carla grows, the rifts within her friendship group become more palpable, especially between her and Sebi the son of a local farmer who clearly has feelings for Mati.
In a few years time, when we look back on the festival films that had left a standing impression after the hype wore down, Jordana Spiro’s feature debut will likely be amongst those held in the highest regard. Night Comes On is an intimate drama that can easily fall through the cracks when drowned out by more nakedly audacious films at festivals.