There’s always been a strong LGBTQ+ draw to the world of fright, and it’s really not difficult to see why. Horror, at its very core, is a genre of “otherness.” Often celebrating, venerating, or putting on display the plight of the outsider, horror creates a narrative that those who exist outside of the mainstream can easily identify.
Basically an accidental documentary, Ruminations came about when director Robert James went in search of stories about gay hippies in 1960s San Francisco and stumbled upon Rumi Missabu, a notorious raconteur who calls himself a “male actress”. As one of the original Cockettes, he is an oracle of anecdotes.
This French film focuses on the aftermath of a mother’s death and the life of the family after her tragic demise. Released in 2004, Three Dancing Slaves (Le clan) stars Nicolas Cazalé, Stéphane Rideau and Salim Kechiouche. It was co-written by Christophe Honoré and Gaël Morel and it was directed by the latter.
Outside of its documentation of gender fluidity and same sex relationships during a period where they were scorned by society, Colette still remains a breath of fresh air amongst a field of stuffy costume dramas. The film is often hysterically funny (Westmoreland co-wrote the screenplay with his late partner Jonathan Glatzer), with Dominic West giving an entertainingly histrionic performance in the lead.
The 2013 comedy, Geography Club, follows a 16-year-old high school student named Russell (played by Cameron Deane Stewart) as he explores his sexuality with the high school quarterback, Kevin (Justin Deely) and happens upon a support group for LGBT students, under disguise as the school’s Geography Club.
Originally made for Channel 4 in the UK, this documentary has been returned to its original version, as authorised by George Michael himself shortly before he died. In George Michael: Freedom – Director’s Cut, Michael offers an intimate, honest look at his life, ending just before the iconic singer’s shocking death at just 53 in December 2016.