Only a brilliant and gifted director can manage to make grueling topics like domestic abuse mesh well with dry humor and dramedy. Albeit slipping out of its vision and losing its prowess at times, Bitter Melon brings a genuinely refreshing and satisfying experience on the screens of this year’s Outfest edition.
Burn The Bridges (Quemar Las Naves) was released in 2007 and stars Claudette Maillé, Irene Azuela and Aida López. The drama film is centred on a former pop singer who develops a terminal illness and tries to maintain a healthy relationship with her two young children. The motion picture was written by María Renée Prudencio and Francisco Franco Alba and directed by the latter.
Exploring the stunted childhood of a young, misunderstood boy, Cuernavaca is a colorful film that employs a tried and tested surrealist approach to storytelling. Alejandro Andrade’s directorial debut amasses a variety of old-age visual concepts and renders them to the viewer in a soft, easeful manner, reminiscent of the aesthetics of the irrational.
Following one of the most gut-wrenching events in the history of the Filipino trans movement, Call Her Ganda is a staggering and thought-provoking documentary on the epidemic of violence against LGBTQ people. Part-chronicle, part-tribute, the film is ushered by three central female figures who take on a seemingly never-ending and irremediable quest for justice.
Is it possible to separate the art from the artist? Documentarian Lisa Immordino Vreeland definitely doesn’t think so, as her examination of the life and career of photographer/artist/costume designer Cecil Beaton understands that the many contradictions in his character informed a lifetime of work across a variety of different mediums.