Greg Araki directs the Dutch-American drama, Mysterious Skin, starring Joseph Gordon-Levitt and Brady Corbet. The film follows the traumatic story of two young boys who are sexually abused by their baseball coach at the age of 8. A young and naïve Neil (Gordon-Levitt) mistakes these activities as normal sexual activity, perhaps partially misinterpreting the actions due to his own homosexual proclivity. By age fifteen, Neil becomes a male prostitute and begins selling his body in New York City. One evening, a man tricks Neil by convincing him to take a ride home. However, Neil is beaten and raped.
Brian, on the other hand, has blocked out memories of their abusive baseball coach and withdrawn socially. Years later Brian discovers a photograph of the boys playing baseball and recalls his old friend Neil. The two young men finally reunite, forming a bond with each other and finally bringing some closure to their painful past.
Born in Los Angeles in December of 1959, Gregg Araki is one of the premier American New Queer Cinema filmmakers. Growing up in the seaside town of Santa Barbara, Araki enrolled in the University of California, Santa Barbara to study film in the School of Cinematic Arts. Araki went on to achieve his Master’s degree, graduating in 1985.
Araki began his career in the underground. Working with little or no budget, and without proper permits, Araki filmed a variety of touching, gay friendly stories, some of which went on to earn the young director great praise for his work. In subsequent years Araki embraced opportunities to work with a number of notable actors and actresses, including Margaret Cho, Parker Posey, and Heather Graham.
Araki is a self-identified bisexual director who continues to direct films that approach taboo topics and cult-classic themes.
Following his graduation from UC Santa Barbara, Gregg Araki began directing underground films with very limited budgets. His first projects were completed with less than $5,000, but the director still managed to deliver compelling and heartfelt stories. Beginning with Three Bewildered People in the Night and The Long Weekend (O’ Despair), Araki embraced and explored gay themes and characters. His third film, The Living End, saw an increased budget and garnered the young director awards from the Locarno International Film Festival and Los Angeles Film Critics Association.