Canadian director Denis Côté glides effortlessly between narrative and documentary filmmaking, maintaining his minimalist approach to storytelling regardless of whether he’s dealing with fact or fiction.
You might think you know the story: two men meet at a remote cruising spot, where men have been mysteriously disappearing for weeks, and find themselves falling deeper into a murderous cat and mouse chase. But this surface level synopsis is the only true similarity between Devil’s Path and 2013’s widely acclaimed anti-thriller Stranger by the Lake, a film to which it will likely be compared based on the subject matter alone.
Every Act of Life proves to be a surprisingly comprehensive documentary, effectively recounting six decades of a successful career at a brisk pace. For theatre fans, this is essential viewing – and for those of you like me, who shamefully don’t watch as many plays as they should, this is still well worth a look.
The Miseducation of Cameron Post is set in the early nineties in Montana, but the film doesn’t wear the cultural differences separating then and now too heavily; a cassette tape here, a “Clinton/Gore” bumper sticker there, but no detail significant enough to leave the audience thinking that what we’re seeing is a relic of the past, and not something that’s unfortunately still taking place well into the 21st century.
Quirky American coming of age dramas aren’t exactly hard to come by – every other film that has emerged from the Sundance film festival feels like it could easily fall into this category, with very few managing to stand the test of time. Hearts Beat Loud undeniably fits into the pantheon of stereotypical “Sundance movies”, but offers something far more emotionally substantial than your run of the mill coming of age tale.
Freelancers Anonymous taps into the current issue of underemployment, where employers cut hours and benefits, forcing people to take multiple jobs to make ends meet. Thankfully, director Sonia Sebastian and writers Lisa Cordileone and Amy Dellagiarino never get overly serious about this, keeping things very light while grounding the humour in likeable characters.
Anything is a warm and thoughtful drama that examines some very big themes without taking the usual route through them. Not only is it centred on a middle-aged man, but it also features a main character whose gender identity is never defined because it doesn’t actually matter. No, this is a film about community and belonging, and it fiercely refuses to fit in a box.
Out of all of XPOSED’s thrilling and uncanny candidates for this year’s edition, Paternal Rites is the most touching, brutal and indispensable. The international queer film festival’s heartrending addition allows us access into the troubled world of an abused child and now scarred adult who shyly and desperately seeks help to try and make sense of what happened to him.
Lejos de ser nostálgica, 120 BPM deja una sentimiento de alivio al terminar de ver esa cinta estando agradecido, que lo que acaba de ver, no es la presente realidad, sino un homenaje a todas las vidas perdidas por una enfermedad que robo potencial pero creó una revolución, que hasta esta fecha, sigue pulsando minuto a minuto a través de nuevas generaciones al no dejar que la ignorancia y silencio ganen de nuevo.