For his third feature length effort, director Tom Gustafson has made the ambitious decision to adapt acclaimed off-Broadway musical Hello Again for the big screen. Michael John LaChiusa’s rapturously received stage production details several different romantic encounters, across a 100 year period, all linked together via thematically recurring details in the lyrics and dialogue between the different partners.
Have you ever experienced a quiet, selfless moment of peace with someone you care about that seems boundless and out-of-this-world? Not that neurotic kind of affection that we call love, but rather a warm space that needs nothing and gracefully offers everything to the other person. If you have, Stephen Cone’s brilliant 2017 drama film will remind you of what that feels like. If you haven’t, you’ll be dying to re-watch Princess Cyd just so you can get another glimpse of this unique and humbling feeling.
Is the gay community as welcoming as it likes to perceive itself towards men of all ages, races, kinks, disabilities and HIV statuses, or does it leave the majority of gay men unhappy by telling them to chase an idealistic body image and personality that is more likely to get them accepted – rejecting their own identity in the process?
BPM (Beats Per Minute) is a fiercely angry and impassioned work of political cinema that is vibrant, sometimes hilarious and frequently tearjerking – and most importantly, it is unapologetically queer in a way so few films on the AIDS crisis allow themselves to be. This is a film squarely focused on documenting a moment in history for gay audiences, offering concessions to straight viewers only in the sense that it offers them a chance to showcase basic empathy and be moved by a story that deals with a culture they won’t be able to relate to.
Romanian films have become one of the most compelling and noteworthy developments in international cinema over the last few years, maintaining a remarkable monopoly over the Cannes Film Festival. Invariably drawing on the legacy of a lengthy and painful communist junket, Ivana Mladenovic’s controversial and rough-hewn motion picture does not disappoint – tackling dark topics like abuse, poverty and dysfunctional love, the drama film is unapologetically blunt and does little to cover up the harsh reality of living in one of Romania’s most gruesome suburbs.
Less a documentary and more an unflinchingly personal essay, director Arshad Khan’s Abu: Father is moving and harrowing in equal measure. Utilising home video footage he has amassed since his childhood in Pakistan in the seventies, as well as scenes from the pop culture that played a pivotal role throughout the important stages of his life, Khan’s film deals with his lifelong struggle with his own sexuality and his relationship with his religiously conservative family.
Lo que parece ser una cliché historia de amor, la adaptación fílmica de la novela de Andre Aciman prueba que este romance es todo lo contrario a lo cliché. Llámame Por Tu Nombre es una sencilla y original historia acerca del descubrimiento sexual y el poder del deseo entre un joven de 17 años y un académico de 25 años. Haciendo de esta cinta, una historia cautivante, cómica y devastadora acerca de primeros amores.
Receiving its world premiere at the BFI London Film Festival, A Moment in the Reeds is the first ever Finnish LGBT romance film, following in the footsteps of some of the best gay love stories of recent years to forge a believable tale of two men thrown together by chance, forging an instant, deep connection with each other across the space of a few days.
After meeting in the early 2000’s and living a happy life together since then, the couple decided to finally tie the knot in 2013. The supreme court of Mexico had declared same sex marriage a constitutional right, so they planned to finally go ahead and get married – unfortunately, they lived in the state of Mexicali, which did not subscribe to the court’s ruling, objecting to their marriage on religious grounds.
On paper, the storyline to The Cakemaker sounds every bit as elegantly twisted as The Talented Mr Ripley, as a German baker integrates himself in to the life of his deceased lover’s wife in Jerusalem, building a deep connection with her while never disclosing the truth about his relationship with her other half.