Released in 1995 Unzipped is a smart, balanced and light-hearted look into the designer world of 90s’ America, not concerned with judging the lifestyle but also refrained from romanticizing it. Directed by Douglas Keeve the documentary features Isaac Mizrahi, Roseanne Barr and Sandra Bernhard.
There are many icons of haute couture, but only one that can leave such a piercing mark on your psyche and wittingly convince you that you have intimately witnessed the work of a master. Valentino: The Last Emperor is not a hyperbolic, overrated or tacky documentary of passing trends like many others, but rather a unique, abiding and eye-opening glance at the boisterous life of a legendary fashion designer who vehemently seeks pleasure only to be disappointed by its fleeting and faulty nature.
The performances from the entire ensemble cast are what help elevate director Jalil Lespert’s biopic Yves Saint Laurent; Lespert aims to document the highs and lows of the fashion designer’s personal and professional lives between the late fifties and mid-seventies, and its the strengths of the performances that make covering such a sizeable time period feel palatable.
Over a decade in the making, Surge of Power: Revenge of the Sequel is the long gestating follow-up to 2004’s Surge of Power: The Stuff of Heroes, which made headlines as the world’s first openly gay superhero adventure. Released in 2016 the motion picture is directed by Antonio Lexerot and Vincent J. Roth.
This fantasy film by Federico Fellini is an Italian classic which depicts the kernel of Roman culture. Separated into nine different episodes, Fellini’s Satyricon is partially based on the work of the courtier Gaius Petronius Arbiter, who lived during the age of Nero. The drama film was released in 1969 and stars Martin Potter, Hiram Keller and Max Born.
On the surface, Just Charlie is a sensitive and tenderly told story of a transgender girl coming out. Yet the film’s strength doesn’t lie solely within this central character struggle – instead, director Rebekah Fortune’s film draws its power from attempting to empathise with the confusion of Charlie’s family as much as Charlie’s own confused gender identity.