Delicate, thoughtful, and evocative, writer-director Anatol Schuster’s Air (Luft) puts great care and attention towards visual storytelling, and the result is a beautiful piece of filmmaking.
Set in sleepy Michigan farm country, the film features a broad cast of characters, with a small LGBT twist. Hunter, having recently come out to his parents, is making his first trip home from the big city to face his conservative father. Needing the support of his gaggle of friends, Hunter returns home with a variety of mismatched characters – a gaggle of horror film clichés who are ripe for the picking.
What begins as a hactivist message quickly diverges into a clever found footage film shot with phones, security cameras, and a few DJI quadcopter drones. Drew Lipson plays Skyler, a social media-obsessed vlogger who broadcasts his daily life to his thousands of subscribers on his YouTube channel. Skyler and his partner Corey decide to kick off their spring break on a brief camping excursion with Skyler’s twin sister Dakota and her boyfriend Tren, setting up the perfect opportunity for a variety of new vlog entries, as well as a relaxing and fun getaway.
“I’ve been a fan of horror since I was very young,” recalls Erlinger Óttar Thoroddsen, director of the Icelandic horror film, Rift. “I remember being six or seven years old, being at the video store and browsing the horror section. I wasn’t allowed to rent those movies, so I’d make up stories in my mind of what they were about based on the cover art.”
Oxley’s award-winning short film, This World We Live In is a gripping drama that examines the tragedy of mixing perceptions of masculinity with modern technology. Starring Jack Parr, This World we Live In offers a riveting 15-minute glimpse into the world of an image-conscious young man, struggling to keep his own demons at bay and simply fit in with the other guys.
A twist on the concept of trans sexuality, in Pulse, Stevie Cruz-Martin and Daniel Monks deliver an insightful look into the challenges of evolving into one’s true self, even walking head-on into the notion of creating your own ideal, perfect life. Interestingly, this innovative little film can’t help but make you look beyond the physical and consider what really makes you, you.
Shot entirely in black and white, Verow’s film carries an interesting film noir feel to it. V is the unfortunate victim of circumstance, locked in an ever-present battle with the villainous Shawnith. A string of sexually motivated young men float in and out of V’s life until Christian arrives – the unexpected femme fatale, or male fatale as it were.
Upon the Centennial celebration of Finland, award-winning filmmaker Dome Karukoski presents a moving biopic of one of the country’s most beloved sons. Tom of Finland is a roughly 115 minute biographical dramatization that aims to reveal the creative genius behind the famous homoerotic illustrations. Shot across 3 different countries, the film presents nearly 50 years of Laaksonen’s life, from his time in the war until his death in 1991.