Rupert Everett spent the past decade working on his passion project The Happy Prince, tracing the final three years in the life of Oscar Wilde. Ironically, these aren’t particularly happy years, following his post-prison exile from England as he loses status, money and finally his health, until his death at age 46 in 1900.
Lejos de ser nostálgica, 120 BPM deja una sentimiento de alivio al terminar de ver esa cinta estando agradecido, que lo que acaba de ver, no es la presente realidad, sino un homenaje a todas las vidas perdidas por una enfermedad que robo potencial pero creó una revolución, que hasta esta fecha, sigue pulsando minuto a minuto a través de nuevas generaciones al no dejar que la ignorancia y silencio ganen de nuevo.
With a story so detailed that it feels autobiographical, this earthy, natural drama can’t help but catch the audience by surprise as it pushes the characters through a series of intense situations. Golden Boy, is a strongly personal variation on the usual story of a young man who ends up lost on the streets of Los Angeles.
This comedy musical is centred on an aspiring Broadway entertainer and a stripper who accidentally get miscast and have to swap roles. Written by Jeffrey A. Johns (who also stars in the film as the leading character), the motion picture features Adam Huss, Shirley Jones and Rena Strober. Waiting in The Wings: The Musical was directed by Jenn Page and released in 2014.
You might think you know the story: two men meet at a remote cruising spot, where men have been mysteriously disappearing for weeks, and find themselves falling deeper into a murderous cat and mouse chase. But this surface level synopsis is the only true similarity between Devil’s Path and 2013’s widely acclaimed anti-thriller Stranger by the Lake, a film to which it will likely be compared based on the subject matter alone.
Every Act of Life proves to be a surprisingly comprehensive documentary, effectively recounting six decades of a successful career at a brisk pace. For theatre fans, this is essential viewing – and for those of you like me, who shamefully don’t watch as many plays as they should, this is still well worth a look.
The Miseducation of Cameron Post is set in the early nineties in Montana, but the film doesn’t wear the cultural differences separating then and now too heavily; a cassette tape here, a “Clinton/Gore” bumper sticker there, but no detail significant enough to leave the audience thinking that what we’re seeing is a relic of the past, and not something that’s unfortunately still taking place well into the 21st century.